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marine science • painting • scientific videography
I’m Jaden Orli, a marine ecologist from UCSB’s College of Creative Studies (Biology). I work at the seam of field programs, population models, and public-facing communication so decisions land with both policymakers and communities.
~400 dives ~100 scientific AAUS 60 ft Seine Surveys Small-boat ops
AAUS scientific diver in kelp forests; in salt marsh I lead/assist seining and trap-based surveys. Comfortable with tide windows, low-viz, and team logistics.
SONGS Mitigation Monitoring Program (Lab Technician, 2025 – present)
Intensive salt-marsh surveys for fish and invertebrates using seines/traps; careful QA/QC in the lab; gear maintenance and field safety; coordination with project scientists on long-term restoration monitoring.
Kuris Lab and National Park Service (NPS): transect surveys; species ID; tide-window planning; data entry and QA.
Rescue, Nitrox, AAUS (60 ft), Reef Check certification; night/low-viz/strong-current experience; task-loaded work (slates, cameras, etc).
Stage-structured Slot limits × MPAs Sobol + GLUE R + Quarto GIS / leaflet
Two-sex, stage-structured lobster model; VBGF growth; size–fecundity; fishing applied after projection and only outside MPAs; scenario sweeps over slot width × MPA coverage.
Female-first stage matrix; optional male coupling; exponential natural mortality; quarterly dt = 0.25. Clean harvest accounting via post-projection survival in non-MPA cells → harvest = raw − fished trajectories.
Science Communication Interactive Maps Citizen Science
Outputs for agencies, fishers, educators, and the public — short explainers, interactive layers, and figures that surface uncertainty honestly.
Metrics aligned with decisions: biomass, spawning output, size structure, yield, stability; transparent assumptions. Plain-language scenarios—what changing slot width or MPA coverage means for effort and outcome.
Texture and Pattern Motion and Mood Wildlife and Coastlines
My photography lingers on details most people walk past — a kelp frond twisting in surge, coral polyps half-open, an alley washed in morning light. I look for textures, moods, and small dramas rather than single “perfect” shots. Marine photography becomes an exercise in noticing: subtle gradients in light, shadow, and texture that later make their way into my figures and color palettes.
Themes — kelp forest canopies, coral lattices, sand ripples, tidepool reflections, wreckage, and the geometry of fish schools.
Style — high-contrast natural light, low-viz dives, and compositions that suggest movement or story — a shark’s turn, a crab emerging, a harbor just after rain.
Wildlife Portraits Coastal Landscapes Mixed Media
I paint to capture place, memory, and personality — a bay I swam in, a dog who wouldn’t sit still, a fish frozen mid-leap. Some works are observational; others are imagined worlds built from layers of field impressions.
Mediums — oil paint and mixed media
Subjects — coastal bays, trout streams, personal places, and animals with a story to tell — sometimes literal, sometimes metaphorical.
Why it matters — painting slows me down and lets me notice how light, pattern, and atmosphere really work. Those habits feed directly back into my figure design and scientific visualization.
Coastal Hikes Night / Low-viz Working Harbors
Most weekends I’m on a coastal trail or underwater; travel tends to follow coastlines and working harbors.
Hiking — coastal bluffs, estuary loops, and any trail that ends at a tidepool (with a pocket notebook for quick sketches).
Diving — kelp holdfasts, night dives, and low-viz marsh entries teach repeatable habits — useful in both field and code.
Travel — I gravitate to places where ecology, fisheries, and community sit close together — great training for policy conversations later.
Clarity Reproducibility Field Reality
Clarity over cleverness; field reality over assumptions; teams that surface uncertainty rather than hide it.
All Dives Scientific Recreational
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Regent Scholar • Coastal Fund Major Grants • Best Student Presentation (Int’l Conf. on Copepoda) • Best Student Poster (Southern Academy of Parasitologists) • Honorable Mention (WSN) • Published Manuscripts