I’m Jaden Orli, a marine ecologist trained in biology at the College of Creative Studies, University of California, Santa Barbara. I work where field programs, population models, and public-facing communication meet, so that decisions land with both policymakers and communities.
Professional
Fieldwork
~ 450 Dives~ 100 ScientificCertified to 60 FeetSeine SurveysSmall-Boat Operations
I dive kelp forests as a scientific diver certified by the American Academy of Underwater Sciences (AAUS), and in salt marsh I lead and assist seining and trap-based surveys. I’m comfortable with tide windows, low visibility, and team logistics.
More Field Details
Recent Program
San Onofre Nuclear Generating Station Mitigation Monitoring Program(Laboratory Technician, 2025 to 2026)
Intensive salt-marsh surveys for fish and invertebrates using seines and traps, careful quality assurance and quality control in the laboratory, gear maintenance and field safety, and coordination with project scientists on long-term restoration monitoring.
Rocky Intertidal
Kuris Lab and the National Park Service: transect surveys, species identification, tide-window planning, and data entry with quality assurance.
Kelp and Coastal Programs
Partnership for Interdisciplinary Studies of Coastal Oceans (PISCO), Caselle Lab: underwater benthic and fish surveys in the Northern Channel Islands
California Collaborative Fisheries Research Program (CCFRP): hook-and-line surveys with volunteer anglers
Santa Barbara Coastal Long Term Ecological Research (SBC LTER): kelp deployments and retrievals, and site monitoring
Diving and Safety
Rescue and Nitrox certifications, American Academy of Underwater Sciences (AAUS) certification to 60 feet, and Reef Check certification. Experience with night dives, low visibility, and strong current, and with task-loaded work carrying slates, cameras, and other equipment.
Modeling and Code
Stage-StructuredSlot Limits and MPAsSensitivity and UncertaintyGeospatial Mapping
A two-sex, stage-structured lobster model with von Bertalanffy growth and a size-to-fecundity relationship. Fishing is applied after projection and only outside marine protected areas (MPAs), with scenario sweeps across slot width and marine protected area coverage.
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Framework
A female-first stage matrix with optional male coupling, exponential natural mortality, and quarterly time steps of dt = 0.25. Harvest is accounted for cleanly through post-projection survival in cells outside marine protected areas, so that harvest is the difference between the raw and the fished trajectories.
Uncertainty and Robustness
Sobol global sensitivity analysis, run with the Salt package, to rank which parameters carry the most leverage
Generalized Likelihood Uncertainty Estimation ensembles, to show plausible ranges rather than a single fit
Reproducible Quarto reports, tidy pipelines, and consistent figure styling
Outputs for agencies, fishers, educators, and the public: short explainers, interactive layers, and figures that surface uncertainty honestly.
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Policy-Ready Outputs
Metrics aligned with decisions: biomass, spawning output, size structure, yield, and stability, with transparent assumptions throughout. Plain-language scenarios showing what changing slot width or marine protected area coverage means for effort and outcome.
Community-Facing Communication
Science videography, 60 to 120 seconds: method explainers, field segments, and transparent communication with the public
Pacific Manta Research Group: a citizen-science photo identification submission site and diver education materials
Leadership and Media
Kuris Lab project lead: fieldwork, student mentorship, conference talks at the Ecological Society of America and at the Ecology, Evolution, and Marine Biology Undergraduate Research Symposium, and a first-author manuscript in review
Environmental Media Production, as Associate Producer: filmed and edited a promotional piece for a nonprofit climate program, and directed on location with a Canon EOS C70
Aquarium Docent experience translating conservation for the public
From an aquarium volunteer at fifteen to coral reefs and fisheries models: every role I’ve held, colored by the world it belongs to. Hover any bar for details.
Each color is a different world I worked in, and they overlap and double back more than you might expect. Click any group on the left to show or hide it.
Coursework
58 undergraduate courses190 units, plus 48 accepted from Advanced Placement9 graduate courses (taken as an undergraduate)8 quarters of independent research
EEMB 142BProecesses in OceansEEMB 247Quantitative Methods in BiologyEEMB 595RR SeminarEEMB 199Independent Studies (Kuris Lab)
19 units
MATH 3BCalculus 2MCDB 110Principles of BiochemistryEARTH 182BMarine BiogeochemistryThe course behind the Earth 182B Group authorship on Wu et al. 2025EARTH 199Independent Studies (Valentine Lab)EEMB 199Independent Studies (Kuris Lab)EEMB 595TParasitology (Kuris Lab Meeting)
2023-2024165 units
21 units
ANTH EAP 105Culinary History of ItalyARTH EAP 113Genius Renaissance ArtCOMM EAP 104Made in ItalyITAL EAP 55Exploring Florence
20 units
BIOL CS 101Model and Experiments (CCS Grad)EEMB 150AMicrobial Diversity 1EEMB 242Marine Ecology and ConservationMATH 4ALinear AlgebraEEMB 194RR SeminarEEMB 183Teaching Assistance (EEMB 179 LA)Taught the course I had taken in Fall 2022EEMB 199Independent Studies (Kuris Lab)
8 units
PHIL 4Introduction to EthicsEEMB 192Special Topics (bioinformatics)EARTH 199Independent Studies (Valentine Lab)
9 units
COMM W 146Understanding and Detecting Human DeceptionHIST W 2AWorld History
2024-2025190 units
10 units
EEMB 106Biology of FishesEEMB 194TETheoretical Ecology and EvolutionEDS 223Geospatial Analysis and Remote Sensing
8 units
ESM 263Geographic Information SystemsESM 260Applied Marine Ecology
7 units
ESM 232Environmental ModelingESM 441Environmental Media Production
Each bar is one course, coloured by subject. Hollow bars are Advanced Placement, which transferred in as credit rather than being taken at the university. Click a quarter to open it. A ring on a course marks graduate level.
Personal
Photography
UnderwaterMicroscopyCoast and Portraits
Most of my photography happens either on a dive or down a microscope. The range is wider than it sounds: the same interest in structure that makes a kelp canopy worth shooting is what makes a copepod worth shooting, just at a different working distance.
More on Photography
Underwater: kelp forest canopies, reef structure, and the animals that hold still long enough on a low-visibility dive.
Microscopy: copepods, parasites, and the fine anatomy behind the figures in my papers. Several of these started as working images and turned out to be worth printing.
Above water: coastlines, working harbors, and portraits of the people doing the work.
I paint in oil and mixed media, mostly places I have been in the water and animals I have spent time around. It is the only part of my practice with no data in it, which is most of the appeal.
More on Painting
Subjects: coastal bays, trout streams, places I know well, and animals with a story attached, sometimes literal and sometimes not.
How it works: some paintings are observational and some are assembled from field impressions months after the fact. The assembled ones usually turn out better.
Why it matters: painting is slow in a way that fieldwork and code are not, and it is where I actually learned how light, pattern, and atmosphere behave. That reading carries straight into figure design.
Coastal HikesNight and Low VisibilityWorking Harbors
Most weekends I’m on a coastal trail or underwater, and travel tends to follow coastlines and working harbors rather than cities.
More on Trails and Travel
Hiking: coastal bluffs, estuary loops, and any trail that ends at a tidepool. A pocket notebook usually comes along for sketches.
Diving: roughly three quarters of my logged dives are recreational rather than scientific, and the habits transfer in both directions. Kelp holdfasts, night entries, and low-visibility marsh work all reward the same discipline.
Travel: I gravitate to places where ecology, fisheries, and community sit close together. It is good preparation for the conversations that fisheries work eventually turns into.
Honors and Awards
Degree • Bachelor of Arts in Biology with High Honors, College of Creative Studies, University of California, Santa Barbara
Scholarships and Grants • Regents Scholar, University of California, Santa Barbara • Coastal Fund Major Grants
Conference Awards • Best Student Presentation, International Conference on Copepoda • Best Student Poster, Southern Academy of Parasitologists • Honorable Mention, Western Society of Naturalists